David Titterington performs organ music by Harris, Andriessen, Ritter and Samuel Wesley.

Harris - Flourish for an occasion Samuel Wesley - Voluntary in D major Andriessen - Sonata da Chiesa Barrie Cabena - Portraits for Organ: Hugh’s Hornpipe Ritter - Sonata in A minor David Titterington is Head of Organ at the Royal Academy of Music, Artistic Director of St Albans International Organ Festival and a Professor of the University of London. He has appeared in recitals and concertos at major festivals worldwide including the bi-centennial Festival of Sydney, and the international festivals of Hong Kong, New Zealand, Adelaide, Tokyo, Guelph, Schleswig Holstein, Israel, Istanbul and the City of London.

John Andrews, Trinity Orchestra’s dynamic Music Director, takes up the baton to bring to life a truly exciting and varied programme of 20th-century orchestral works.

STRAVINSKY The Firebird Suite (1945) COPLAND Clarinet Concerto ARNOLD Symphony No. 5 John Andrews – conductor Matt Glendening – clarinet

Judgement Day for Don Giovanni, the world’s greatest lover. A supernatural comedy-thriller occurring in breakneck real time; beginning with murder, ending with a statue coming to dinner & a hellish sentence passed on the legendary seducer; the epic downfall of a man who always knows what we need, always makes us happy, but eventually realises he is out of time. Polarising audiences for centuries, startlingly modern yet a dinosaur, can.

Judgement Day for Don Giovanni, the world’s greatest lover. A supernatural comedy-thriller occurring in breakneck real time; beginning with murder, ending with a statue coming to dinner & a hellish sentence passed on the legendary seducer; the epic downfall of a man who always knows what we need, always makes us happy, but eventually realises he is out of time. Polarising audiences for centuries, startlingly modern yet a dinosaur, can Don Giovanni still make us love him as he hurtles through his final hours?

Baritone Christian Federici reprises his role as Moralès in Bizet's Carmen in this co-production with Ravenna Festival

Details Don José - ANTONIO CORIANÒ Escamillo - ANDREA ZAUPA Le Dancaïre - ROSARIO GRAUSO Le Remendado - RICCARDO RADOS Moralès - CHRISTIAN FEDERICI Zuniga - ADRIANO GRAMIGNI Carmen - MARTINA BELLI / CLARISSA LEONARDI Micaëla - ELISA BALBO Frasquita - ALESSIA PINTOSSI Mercédès - FRANCESCA DI SAURO Lillas Pastia / Un guide - IVAN MERLO Andrés - LUCA MASSAROLI Un bohémien - KEN WATANABE Une marchande - YULIA TKACENKO Direttore - VLADIMIR OVODOK Regia - LUCA MICHELETTI Orchestra Giovanile Cherubini Coro Luigi Cherubini e Coro Lirico Marchigiano "V. Bellini" Maestro del coro - ANTONIO GRECO Coro di voci bianche Ludos Vocalis Maestro del coro - ELISABETTA AGOSTINI

Probably no opera hero arouses such laughter and such sympathy as the Seville barber. Thanks to the phenomenal comedy of Beaumarchais Figaro invents harmless intrigues, opposes iniquity and at the same time entertains to tears. Rossini’s extremely spontaneous music gives an incredible dynamism to the love adventures. The tempo and energy emanating from this work of the young composer have already accompanied the creation of The Barber: according to the.

Probably no opera hero arouses such laughter and such sympathy as the Seville barber. Thanks to the phenomenal comedy of Beaumarchais Figaro invents harmless intrigues, opposes iniquity and at the same time entertains to tears. Rossini’s extremely spontaneous music gives an incredible dynamism to the love adventures. The tempo and energy emanating from this work of the young composer have already accompanied the creation of The Barber: according to the legend, the libretto was created in 12 days, and the music to the entire opera – in less than two weeks. Despite numerous problems during the premiere itself, which became a huge failure, the story of Figaro gained prominence, and Rossini became one of the most popular composers of his time. Ballet, Choir and Orchestra of the Baltic Opera in Gdańsk