Dean Robinson - bass
"It was the final work, Remembrance Day by composer Stuart MacRea, that really seemed to crack the code....A strong libretto by Louise Welsh certainly helped, as did the haunting innocence of bass Dean Robinson..." Five: 15/Scottish Opera, The Scotsman 2009
"Dean Robinson (Saul) sang with agility and astute tonal variety, capturing his character's capriciousness and paranoia." David and Jonathan/Pinchgut Opera, The Australian December 2008
"Dean Robinson's Magnifico had presence and exemplary diction." La Cenerentola/Scottish Opera, Opera Magazine November 2007
"...the cameo roles were well taken: Dean Robinson sings Colline’s farewell to his old coat affectingly..." La Boheme/Royal Albert Hall, The Times 2006
"The Australian bass Dean Robinson brought fine resonance to the tutor assigned to counter - and later to abet - Ory's rascally ruses." Le Comte Ory/Garsington, June 2005