Peter Van Hulle
Opera includes Hotel Porter Death in Venice (English National Opera/La Monnaie/La Scala), Menelaus La Belle Hélène, Borsa Rigoletto, Pong Turandot, Snout A Midsummer Night’s Dream, Roderigo Otello, Kunz Vogelgesang The Mastersingers of Nurmberg and Tchaplitsky The Queen of Spades. (ENO), Idiot Wozzeck (ENO/BBCSSO), Dr Caius Falstaff (Scottish Opera/Diva Opera), Schoolmaster The Cunning Little Vixen (Welsh National Opera/Scottish Opera/ETO), Monostatos Die Zauberflöte, Goro Madama Butterfly, Brother Seven Deadly Sins, Charles Lamb Monster, Rector Peter Grimes and Tchaplitsky The Queen of Spades (Scottish Opera), Don Ottavio (Mid Wales Opera/Opera Project), Alfredo La Traviata and Spoletta Tosca (Opera Holland Park), Guillot de Morfontaine Manon, Dr Blind Die Fledermaus and Basilio Le Nozze di Figaro (English Touring Opera), Mime Siegfried and Kudrjaš Katya Kabanova (Longborough Festival), Ogier in Schubert’s Fierrabras and Vitelozzo Lucrezia Borgia (Buxton Festival), Male Chorus The Rape of Lucretia (European Opera Centre in Hungary) and the title role in Handel’s Imeneo (Opera on a Shoestring). He recorded Schoolmaster/Mosquito/Grasshopper for an animated film of The Cunning Little Vixen for BBC TV with the Deutsches Symphonie-Orchester Berlin conducted by Kent Nagano.
Peter Van Hulle created the lead role of Charlie Despard in Edward Rushton’s opera The Young Man and the Carnation for (Almeida, Buxton and Warwick Festivals), the role of the Slave in Stuart MacRae’s The Assassin Tree (Edinburgh Festival/Linbury Studio) and the title role in John Bevan Baker’s opera The Seer in Dingwall, Scotland,. He has taken part in Scottish Opera’s Five: 15 Made in Scotland project and performed the role of the Butcher in David Fenessy and David Shrigley’s Pass the Spoon in Glasgow and the Southbank Centre (Magnetic North),
His concert repertoire includes J S Bach’s St John Passion, Christmas Oratorio and Magnificat, Handel’s Messiah, Haydn’s The Creation, Britten’s St Nicholas, Elgar’s The Kingdom, Mendelssohn’s Elijah, Mozart Requiem, Puccini’s Messa di Gloria, Purcell’s King Arthur and Fairy Queen, Rossini’s Stabat Mater, and Verdi’s Requiem. He has performed opera arias with the Royal Liverpool Philharmonic Orchestra, and toured with the Rambert Dance Company singing Britten’s Serenade for tenor, horn and strings, and with Birmingham Royal Ballet in Stravinsky’s Pulcinella.
Plans include Sailor Tristan und Isolde (ENO) and Bardolph Falstaff (CBSO).
Otello/English National Opera “The rest of the cast made a consistently good impression, even Peter Van Hulle’s foppish, mandolin-playing Roderigo.” Opera Magazine, 2014
The Magic Flute/Scottish Opera “…further down the cast sounded first-rate: Peter van Hulle, playing Monostatos as a dastardly Regency Sir Jasper…” The Telegraph, October 2012
Katya Kabanova/Longborough Festival “Peter van Hulle’s Kudryash is a reassuring figure with his simple, scientific view of life; but he’s a mere child in the presence of these dark passions, unlit by electricity. Interestingly, the rational man knows folksongs and sings them sweetly.” Arts Desk, July 2012
Pass the Spoon/Magnetic North “The cast and orchestra are excellent, the most compelling role being the Butcher, at once mellifluous, spooky and infantile. Peter Van Hulle sings it with menacing beauty.” The List, November 2011
A Midsummer Night’s Dream/ENO “Peter van Hulle also gave a memorable whisky-swilling performance as Tom Snout.” Express, May 2011
Death in Venice/ENO “…with excellent cameos from … Peter Van Hulle…” Independent on Sunday, June 2007
The Assassin Tree/Edinburgh Festival “Peter van Hulle give [a] nimble, clean-cut performance as the Slave.” The Scotsman, August 2006
The Cunning Little Vixen, English Touring Opera “The outstanding performances came from Peter Van Hulle as the Schoolmaster, the Cock and Mosquito…..establishing real characters for each role.”
Opera Magazine December 2002