She has made many solo appearances in Ireland with the RTÉ National Symphony Orchestra of Ireland, the RTÉ Concert Orchestra, and the Ulster Orchestra including a televised performance of Vivaldi’s Four Seasons. She has directed performances from the violin of concertos by Bach, Vivaldi, Mozart and Mendelssohn with the Irish Chamber Orchestra, Mozart Concertos with the Ulster Orchestra, and the Four Seasons with the Wheeling Symphony in the USA. She has been a guest director of both the Tasmanian Symphony Orchestra and the Australian Youth Chamber Orchestra.
Other notable concerto engagements include Lutoslawski’s Partita with Jerzy Maksymiuk at Snape Concert Hall; Bernstein’s Serenade in Finland conducted by William Boughton; Stanford’s Irish Concertino with the Ulster Orchestra (broadcast live on BBC Radio 3); Bruch’s Scottish Fantasy with the Ulster Orchestra at the Belfast Festival; a tour with the RTÉ National Symphony Orchestra of Ireland performing Mozart’s Concerto No 3; Bill Whelan’s Inishlaken with the Orquesta Sinfónica de Galicia in Spain, a series of concerts with the RTE Concert Orchestra performing Vivaldi’s Four Seasons and her own Tango arrangements, and Beethoven’s Triple Concerto at the National Concert Hall in celebration of the pianist John O’Conor’s 60th birthday.
Fionnuala Hunt played with the Vienna Chamber Orchestra, and spent two years with the Bavarian State Opera Orchestra in Munich. She was co-leader of the RTE Symphony Orchestra in Dublin for three years. She has been a guest leader of the London Symphony Orchestra, BBC Philharmonic, BBC Scottish Symphony Orchestra, Hallé Orchestra, Bournemouth Symphony Orchestra, Scottish Chamber Orchestra, Ulster Orchestra, the Melbourne Symphony Orchestra, and the Orchestra of the Opéra de Lyon at the Ojai Festival in California conducted by Kent Nagano. In 1997 she led the BBC Philharmonic Orchestra conducted by Sir Georg Solti, who subsequently invited her to play with the World Orchestra for Peace in Baden-Baden. In August 2005 she took part in a four-venue tour to London, Berlin, Moscow and Beijing as one of the leaders of the World Orchestra for Peace under Gergiev. The Orchestra is comprised of players from leading orchestras across the globe; she is the only Irish musician to be so honoured and she continues to perform with the Orchestra in leading venues worldwide including at the BBC Proms and the Salzburg Festival.
She has played chamber music with her sister, Una Hunt, from an early age. As a duo they perform together throughout Ireland and have appeared in Austria, Germany, Switzerland, Italy, Great Britain and America. As well as the classical repertoire for violin and piano they have great success performing Irish music and recorded a CD called ‘Irish Fantasy’ for Continuum. She has played chamber music at the Queen Elizabeth Hall, London as part of the South Bank Centre’s ‘Young Brahms’ series, at Snape Concert Hall during the October Britten Festival, and at the Wigmore Hall, London. She was the Artistic Director of the 1997 series of chamber music recitals at the Irish Museum of Modern Art in Dublin. She has been a regular resident artist at the Sarasota Festival in Florida, and also plays chamber music with the cellist Robert Cohen.
Born in Belfast, Fionnuala Hunt studied at the Ulster College of Music and the Royal College of Music in London with Jaroslav Vanacek. From 1976 to 1984 she attended the Hochschule für Musik in Vienna studying with Wolfgang Schneiderhan and Franz Samohyl gaining her performing diploma with first class honours.
In 1999 the Sunday Independent in Ireland honoured her with the ‘Spirit of Life Award’, and in December 2007 she was given an honorary Doctor of Music by Queen’s University Belfast. She has been teaching at the Royal Irish Academy of Music in Dublin since 2004, and she is a founder member of the Academy Chamber Ensemble.
“The Richard Mills Chamber Orchestra, directed by distinguished Irish soloist, Fionnuala Hunt, combined discipline and freedom in Tchaikovsky’s Serenade for Strings. A solid body of pure, gorgeous string tone swelled and faded on demand, reaching its expressive peak in the Elegie.” The Adelaide Advertiser, January 2009
“The performances concentrate on the basic and seductive dance rhythm, and the tangos popular aspects are never submerged beneath elaborate orchestration. With Hunt’s sweet and fast vibrato, and tempos just gently massaged without disturbing the music’s flow…” The Strad, December 2005
“Fionnuala Hunt wields her bow with appropriately haughty panache in her own sweet orchestral arrangements of famous tangos. Definitely danceable.”
Classic fM Magazine, December 2005
“Fionnuala Hunt performs her own arrangements of famous Tangos and Dances on this hugely enjoyable album. She takes these sultry melodies, rooted in the life of the bordellos and backstreets of Buenos Aires, and transforms them into something suave and bittersweet…Hunt’s playing is sweet-toned and suble with a rare sense of delicacy.” Metro, November 2005
“She’s certainly paid tribute to the song legacy of tango with care and affection.” Classical CD Review, October 2005
“Hunt’s skilful string arrangements captured the music’s inherent jazzy spirit, while her own solo playing resembled the keenly-tuned nasal sound of that tango instrument par excellence, the bandeon.”
Irish times, June 2005
“Fionnuala Hunt is a fine and powerful violinist. Her runs were lightning-fast and smooth; her passagework was at times glittering and evanescent, at times rough-hewn and gutsy…”
The Intelligencer, Wheeling, West Viginia, USA, January 2000
“..Miss Hunt displayed an impressively controlled range of dynamics and drew a matching response from the Orchestra.”
Easter Daily Press, March 1999
“…Fionnuala Hunt, whose silken tone and emotional depth brought aural pleasure….”
Herald-Tribune, USA, April 1999
“Fionnuala Hunt was first rate…there were many telling details of phrasing and articulation in her performance.”
The Independent, London, July 1997
“Fionnuala Hunt had plenty to do alone…..the results were relaxed and profoundly spiritual.”
Independent on Sunday, London, April 1994
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